Sham Kaushal, actor Vicky Kaushal’s father and also an action director, has been accused of se*ual harassment! Earlier, it was the assistant director Nameeta Prakash who had talked about her #MeToo story accusing the action director of se*ual harassment. Now it is a struggling copywriter from Delhi, Ankita who has exposed ’s father showing his vulgar chats. In an exclusive conversation with Pop Diaries, Ankita narrated her entire story, how she got in touch with the action director, how she asked her to call him as he was getting bored in his hotel room and how he later asked for her pictures. Earlier, Nameeta had alleged that Kaushal had invited her to his hotel room during an outdoor shoot.

When she refused to have any drinks, the action director allegedly showed her a po*n MMS in his phone. Talking about the #MeToo movement, it was Tanushree Dutta who had triggered it in India when she alleged that the actor Nana Patekar had harassed her on the sets of a film a decade back. Since then, several popular names like Vikas Bahl, Rajat Kapoor, Kailash Kher, Alok Nath, Luv Ranjan, Subhash Ghai, Bhushan Kumar and Sajid Khan amongst others have been accused of se*ual misconduct. Meanwhile, watch the video of the exclusive interview here.

The Guardian Titania McGrath and creator Andrew Doyle. Photograph: REX ShutterstockIn Jean-Paul Sartre’s play Huis Clos, three characters are chucked into a room and forced to confront their moral turpitude for eternity, with the added complication that none can resist acting as judge and jury to the others; in the film Groundhog Day reality is equally inescapable, albeit in jollier surroundings and with a furry animal on hand. I feel your bemusement: why thank you, SparkNotes, you might say, but where are we going with this?In short: directly to hell. Longer version: nowhere good, but circuitously, via multiple grim stops connected by rail replacement buses that are driven by maniacs. To pass the time en route, we will be forced to watch repeats of Question Time and issued with brand-new copies of Titania McGrath’s Woke: A Guide to Social Justice.

Occasionally the bus will stop and on will pop someone from that parody of Leave.EU’s ‘Breaking Point’ poster: Peter Bone, perhaps, or Andrew Bridgen. The one spare seat will always be next to yours.The past week has been like that. Various right-leaning commentators have been thoroughly delighted by the arrival of Woke, a speedy cash-in by comedian and writer Andrew Doyle, who created the character of Titania McGrath to poke fun at what he calls the “hyper-inclusive” identity politics that especially flourishes on Twitter. Unsurprisingly, what that version of identity politics mainly comes down to is discussions of race and gender and, despite all the gags and folderol, it’s little more sophisticated than the familiar howl of those who never shut up: “Aren’t I allowed to say anything any more?”Like all such inventions, Tits operates according to the law of diminishing returns: you laugh at first, but quickly realise she’s no Dorothy Parker. You begin to suspect that the comedy is secondary to the grinding axe, which matters not a whit if you’ve already been persuaded to part with your £12.99 by such high-profile fans as Sarah Vine.Meanwhile, back in the real world, by which I mean the theatre of the absurd, real people said real things and then attempted to persuade us that they didn’t really mean them. Karen Bradley, secretary of state for Northern Ireland, didn’t mean to say that security forces had committed no crimes during the Troubles, despite an ongoing investigation into the possibility of prosecuting agents of the state in relation to the Bloody Sunday killings. The home secretary, Amber Rudd, didn’t mean to refer to Diane Abbott as “a coloured woman” while defending her, and other women of colour, against the kind of rampant abuse Abbott suffers.It is not possible to be inside others’ heads, but it is possible to speculate that Bradley’s outbreak of misspeaking reveals her ineptitude, her inability to master her brief and her government’s craven relationship with the DUP; and that Rudd’s reveals not a lack of sympathy for Abbott’s position, but the impossibility of fully empathising from a position of entrenched privilege.

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