• ' Released: August 16, 2004 • ' Released: January 3, 2005 • ' Released: April 11, 2005 • 'Narc' Released: June 1, 2005 Antics is the second studio album by American band. It was released on September 27, 2004, through. The album went on to sell 488,000 copies in the US and over 100,000 in the UK.

Sep 18, 2014 - Their previous effort, Interpol, was the last featuring Carlos Dengler, someone. Tracks which came from Antics or Our Love to Admire then the album might. What this album has is plenty of style and precision; riffs zip in the.

It made the top 10 list of several music critics for the year of 2004. Morse code is used in several places throughout the album's packaging, continuing the nautical themes found in a few of the tracks' lyrics ('Take You on a Cruise', 'Public Pervert', 'A Time To Be So Small'). Code for the word 'antics' is used on the back panel of the slipcase, as well as in the booklet; other words included in code are 'length', 'narc', 'cruise', and 'exit'. Photography of the band used in the interior of the album was produced by Ami Barwell. The album was reissued in August 2005 in the with a that contained four remixes by the band, a B-side, and the videos for all three.

Antics was certified gold by the on April 1, 2009. This section is. Consider it into new pages, adding, or it.

( January 2016) Professional ratings Aggregate scores Source Rating 80/100 Review scores Source Rating B+ 8/10 8.5/10 A− Upon its release in 2004, the album received very positive reviews, with a Metascore of 80 out of 100 ('generally favorable reviews') from. Gave it an A and said, 'There's something totally irresistible about Antics: The air of mystery, the bleak but hopeful arrangements and the melodies so sharp and moving that they might inspire a night of heroic partying.' Josh Modell of gave it a favorable review and said that the album 'may be predictable, but if predictable means rock-solid and mostly magnificent, why bother asking for more?' Mikael Wood of also gave it a favorable review and said, 'What makes Antics such an improvement over Bright Lights is how capable Interpol have become at complementing Banks's lovely ambiguity with an increasingly precise post-punk throb.' Dan Tallis of likewise gave it a favorable review and said, 'What's inescapable is that Antics does sound similar to Turn On The Bright Lights.

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This is despite the drummers attempt to lift the gloom by introducing a poppy, even dance drum beat during two or three tracks. [.] However this record has been widely praised. The difference is that Interpol have progressed. The band haven't repeated the formula, they've improved upon it.' Dave Simpson of gave it four stars out of five and said it 'manages to dabble with tension and still emerge with something life-affirming.' Also gave it four stars out of five and called it 'exhilarating, morbid, romantic, cool.'

Gave it a score of eight out of ten and called it 'An album scored through with a vehement beauty that, with each listen, becomes all the more acute for its unwillingness to shy away from life's bleaker, more painful moments.' Jennifer Nine of gave it a score of eight stars out of ten and called it 'a suppler record than its older brother, largely avoiding the skittish tempos of 'Turn On.' Tracks like 'Roland' in favour of elegant curves and harmonies.

Though the road-honed likes of 'Slow Hands' and 'Not Even Jail' still hit bruisingly hard.' Similarly, gave it eight stars out of ten and said that while the album 'is ultimately a more sophisticated record, it's probably a less obvious one, too.'

Merek Cooper of likewise gave it four stars out of five and said that Interpol 'no longer rely on dense production and atmospherics, because they don’t need to: ‘Antics’ is bare-boned and beautiful.' Gave it a favorable review and called it 'even better [than Bright Lights], possibly because the band isn't trying so hard to be weird.' Salvatore Ciolfi of also gave it eight stars out of ten and said, 'Altogether the album's feel is much more lively, bouncy, and accessible, and in combination with the band's ubiquitous ambient underpinnings, the upbeat tone often makes this collection inspiring.' Bobby Mann of also gave it a favorable review and said that 'Interpol is less indebted to its influences, creating a distinct sound from the distinguishing characteristics that drew those comparisons in the first place.' Gave the album two-and-a-half stars out of four and said, 'The band works too hard to seem mysterious.' Other reviews are average or mixed: gave the album a score of three stars out of five and called it 'Less lugubrious and more melodic than [ Bright Lights], but the improvement is marginal.'